Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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HEYDEN, Jan van der
View of the Westerkerk, Amsterdam

ID: 32355

HEYDEN, Jan van der View of the Westerkerk, Amsterdam
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HEYDEN, Jan van der View of the Westerkerk, Amsterdam


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HEYDEN, Jan van der

Dutch Baroque Era Painter, 1637-1712 Dutch painter, draughtsman, printmaker and inventor. In 1650 he moved to Amsterdam with his family; his father, a Mennonite, who had pursued various occupations rather unsuccessfully, died that year. Jan's artistic training may have begun with drawing lessons in the studio of a relative, perhaps his eldest brother, Goris van der Heyden, who made and sold mirrors; Jan may also have studied the reverse technique of glass painting with an artist in Gorinchem. Painting occupied relatively little of his time, however, although he continued to pursue it throughout his long life. His prosperity was mainly due to his work as an inventor, engineer and municipal official. He designed and implemented a comprehensive street-lighting scheme for Amsterdam, which lasted from 1669 until 1840 and was adopted as a model by many other towns in the Netherlands and abroad. In 1672,   Related Paintings of HEYDEN, Jan van der :. | proach to the Town of Veere | A Fortified Castle on a Riverbank | Dam Square, Amsterdam | The New Town Hall in Amsterdam sf | Still-life with Rarities |
Related Artists:
Andreas Achenbach
(September 29, 1815 - April 1, 1910) was a German landscape painter. Born at Kassel, he began his art education in 1827 in Desseldorf under Friedrich Wilhelm Schadow at the Desseldorf Academy of Painting. He studied at St Petersburg and travelled in Italy, Holland and Scandinavia.In his early work he followed the pseudo-idealism of the German romantic school, but on removing to Munich in 1835, the stronger influence of Louis Gurlitt turned his talent into new channels, and he became the founder of the German realistic school. Although his landscapes evince too much of his aim at picture-making and lack personal temperament, he is a master of technique, and is historically important as a reformer. The Chambers Biographical Dictionary says of him that "he was regarded as the father of 19th century German landscape painting." A number of his finest works are to be found at the Berlin National Gallery, the New Pinakothek in Munich, and the galleries at Dresden, Darmstadt, Cologne, Desseldorf, Leipzig and Hamburg. He died in Desseldorf. His brother, Oswald Achenbach (1827-1905), was also a painter.
Monticelli, Adolphe-Joseph
French, 1824-1886 French painter. In 1846, after studying at the Ecole d'Art in Marseille, Monticelli left Provence to study in Paris with Paul Delaroche. Although he had been trained to work in a Neo-classical style by his teachers in Marseille, in Paris he admired the Troubadour pictures of such artists as Pierre R?voil and Fleury Richard and the bold colours and rich surface impasto of Delacroix's oil sketches. He also copied many of the Old Masters in the Louvre. When he returned to Marseille in 1847 Emile Loubon (1809-63), newly appointed director of the Ecole de Dessin in Marseille and a friend of many realist landscape painters in Paris, encouraged him and another local painter, Paul Guigou
NUVOLONE, Carlo Francesco
Italian painter, Lombard school (b. 1608, Cremona, d. ca. 1665, Milano)






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